Ages is Tangerine Dream leader Edgar Froese's fourth studio album, released in 1978. Originally a double LP, it was reissued by Virgin Records in 1997 on one CD, with the closing track "Golgatha and the Circle Closes" missing. Froese has since remixed the album and released it on his own Eastgate label in 2005. This version also omitted a track, but not the same one as before, and another song, "Metropolis", was shortened.
The album was recorded in Autumn 1977 at Amber Studios in Berlin. The drums and percussion were played by Klaus Krüger (aka Klaus Krieger) who was in Tangerine Dream at the time. Some parts of songs on the album were later reused on Tangerine Dream's albums, most notably "Nights of Automatic Women", which is very similar to "Madrigal Meridian" from Cyclone. Before the album was released, "Ode to Granny A" was released in an abridged form as the b-side to Tangerine Dream's live single "Encore", under the title "Hobo March".
On its initial release, the album failed to chart in any territory.
Seven ages may refer to:
In human nutrition and biology, advanced glycation end products, known as AGEs, are substances that can be a factor in the development or worsening of many degenerative diseases, such as diabetes, atherosclerosis, chronic renal failure, and Alzheimer's disease.
These harmful compounds can affect nearly every type of cell and molecule in the body and are thought to be one factor in aging and in some age-related chronic diseases. They are also believed to play a causative role in the blood-vessel complications of diabetes mellitus. AGEs are seen as speeding up oxidative damage to cells and in altering their normal behavior.
AGEs are formed both outside and inside the body. Specifically, they stem from glycation reaction, which refers to the addition of a carbohydrate to a protein without the involvement of an enzyme. Glucose can bind with proteins in a process called glycation, making cells stiffer, less pliable and more subject to damage and premature aging.
The Arabic phrase ʿalayhi as-salām (عليه السلام), which translates as "peace be upon him" is a conventionally complimentary phrase or durood attached to the names of the prophets in Islam. The English phrase is also given the abbreviation pbuh in writing. An extended variant of the phrase reads salla llāhu ʿalayhi wa-alehe wa-sallam (Arabic: صلى الله عليه وآله وسلم) [lit.] "prayer of God be upon him and his family and peace", and it is often abbreviated SAWS in writing in an English-language context. The Arabic phrase is given the name ṣalawāt. The phrase is encoded as a ligature at Unicode codepoint U+FDFA ﷺ ARABIC LIGATURE SALLALLAHOU ALAYHE WASALLAM
Some Islamic scholars have voiced disagreement with the practice of abbreviating these phrases, arguing that it demonstrates laziness and a lack of respect.
Saw is a 2004 American psychological thriller horror film directed by James Wan. It is Wan's feature film directorial debut. The screenplay, written by Leigh Whannell, is based on a story by Wan and Whannell. The film stars Cary Elwes and Leigh Whannell as two men who awake to find themselves chained in a large dilapidated bathroom, with one being ordered to kill the other or his family will die. It is the first installment of the seven-part Saw franchise.
The debut of Wan and Whannell, the screenplay was written in 2001, but after failed attempts to get the script produced in Wan and Whannell's home country of Australia, they were urged to travel to Los Angeles. In order to help attract producers they shot a low-budget short film of the same name from a scene out of the script. This proved successful in 2003 as producers from Evolution Entertainment were immediately attached and also formed a horror genre production label Twisted Pictures. The film was given a small budget and shot for 18 days.
A saw is a cutting tool.
Saw or SAW may also refer to:
Sin la gritería que antecede a un fiasco
Sin el protocolo de un buen bofetón
Sin el argumento de un pecado ilustre
O el presentimiento de una anomalía que amerite el caso.
Sin decirme nada, sin decir por que
Sin una coartada o una explicación
Sin una mentira escrita en un papel
Sin las cursilerías típicas del caso,
Sin decirme nada
Sin decir por que
Se fue...
Y yo pensando en ella como si fuese única
Aferrado a su ausencia como si fuese sólida
Pidiéndole a la vida que quizás la química
La devuelva buscando algún beso mágico.
Sin decirme nada, sin decir por que
Sin una coartada o una explicación
Sin una mentira escrita en un papel
Sin las cursilerías típicas del caso,
Sin decirme nada
Sin decir por que
Se fue...
Sin la antología de reproches básicos
Sin el ejercicio de memorias turbias
Sin algún ataque de mamitis crónica
O el antecedente de un chisme siniestro que lo explique todo.
Sin decirme nada, sin decir por que
Sin una coartada o una explicación
Sin una mentira escrita en un papel
Sin las cursilerías típicas del caso,
Sin decirme nada
Sin decir por que
Se fue...
Y yo pensando en ella como si fuese única
Aferrado a su ausencia como si fuese sólida
Pidiéndole a la vida que quizás la química
La devuelva buscando algún beso mágico.
Sin decirme nada, sin decir por que
Sin una coartada o una explicación
Sin una mentira escrita en un papel
Sin las cursilerías típicas del caso,
Sin decirme nada
Sin decir por que
Se fue...